Supporting my work means taking part in the conditions that allow an independent artistic and curatorial practice to exist with continuity, rigor and freedom.
My practice unfolds through photography, video, performance, installation, sound, text and curatorial projects. It investigates relations between body, image, language, memory, discard, visibility, social structures and the systems through which art is produced, exhibited, interpreted and sustained.
Projects such as Luzes do Leblon (Lights of Leblon), Ending in Venice, Minha História Deixa Que Eu Conto (My Story, I Will Tell It), Xingamentos (Swearings) and Descartography are part of a broader practice that moves between personal experience, public space, critical research, technology, circulation and institutional dialogue.
Patronage allows time, research, travel, production, documentation, editing, installation, publication and continuity. It also contributes to curatorial, educational and public initiatives developed through BraSA, a platform dedicated to art, criticism, curatorship, research, residencies and the circulation of artists and ideas from South America.
Becoming a patron is not only a financial gesture. It is a direct form of participation in an ecosystem of production, care and circulation that supports artworks, exhibitions, public programmes, publications and long-term research processes.
Support may be directed towards the production of new works, the development of exhibitions, the documentation of artistic processes, publications, field research, international circulation, curatorial projects or the continuity of my artistic practice over time.
Supporters may be invited to follow selected stages of the artistic and curatorial process, receive information about projects in development, attend studio visits, receive invitations to exhibitions and have early access to selected opportunities to acquire works, according to the nature of the support and without this constituting an automatic commercial counterpart.
This is an invitation to support a practice that insists on art as a field of perception, relation, thought and transformation.
For patronage, acquisitions, partnerships or institutional support, please contact: analizenicolini@gmail.com
Forms of support may be structured as donation, sponsorship, acquisition of works, institutional partnership or support for a project approved through a cultural incentive mechanism, according to the nature of the contribution. Tax benefits apply only to projects formally approved under the relevant legal mechanisms. Contributions do not imply acquisition of works, provision of services, equity participation, copyright assignment or automatic commercial counterpart, unless expressly agreed in writing.