Surrounding Me

 

The project emerged during the pandemic, born from Analize Nicolini's need to stay connected to her artistic work and continue producing. Driven by a personal restlessness, linked to the pressure of creating from her home amidst the emergence of brilliant ideas from so many other isolated artists, Nicolini was compelled to create art from her immediate surroundings. She documented confessions, revelations, and interpretations within her own particular universe, the one closest to her.

 

Whether captured with a camera or a phone, the images of intimacy in Analize's daily life end up revealing fragments of her identity. They are reflections of her loneliness, as well as tools to cope with it. They are also (re)encounters with reminiscences of a past filled with stories and experiences, and with images of the present that foreshadow a horizon of expectations.

 

In this way, from the period of isolation, "Debris of an Intimacy" became a companion for the artist and continues to structurally support and empower Nicolini's promising production, while from that limited horizon and her intimate space, the reverse emerges for the collector.

 

Fernanda Andrade

Independent Brazilian art curator based in Venice, Italy. Co-founder and curator at the curatorial collective a.topos Venice.

  • Company I
    Company I, 2024
    mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 6 + 1 A.P.
    Curitiba, Brazil
  • Company II
    Company II, 2024
    mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 6 + 1 A.P.
    Curitiba, Brazil
  • Beings II
    Beings II, 2022
    mineral pigment on 308 or 310g/m² 100% cotton paper
    16 x 9 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Bottom Of Well Has Basement
    Bottom Of Well Has Basement, 2022
    mineral pigment on 308 or 310g/m² 100% cotton paper
    30 x 20 cm | 10 + 2 A.P.
    Rio de Janeiro
  • Prize
    Prize, 2022
    single channel video, 14s
    10 + 1 A.P.
    Rio de Janeiro, Brazil
  • Sweet Potato
    Sweet Potato, 2022
    mineral pigment on 308 or 310g/m² 100% cotton paper
    38 x 57 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Self-portrait
    Self-portrait, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    15 x 15 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Untitled
    Untitled , 2021
    Single channel video, 7s
    10 + 1 A.P.
    Curitiba, Brazil
  • Once Upon A Time, There Was A Little Girl
    Once Upon A Time, There Was A Little Girl, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    15 x 15 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • What Surrounds Me III
    What Surrounds Me III, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    40 x 60 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • What Surrounds Me IV
    What Surrounds Me IV, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    45 x 45 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • What Surrounds Me V
    What Surrounds Me V, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    18,4 x 12,3 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Indifferenziato | Indiferenciado | Non-Recyclable
    Indifferenziato | Indiferenciado | Non-Recyclable, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    21 x 14 cm | 10 + 2 A.P.
    Venice, Italy
  • Debris 40
    Debris 40, 2022
    mineral pigment on 308 or 310g/m² 100% cotton paper
    57 x 38 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • What Surrounds Me VII
    What Surrounds Me VII, 2021
    mineral pigment on 308 or 310g/m² 100% cotton paper
    15 x 15 cm | 10 + 2 A.P.
    Venice, Italy
  • Beings
    Beings, 2020
    mineral pigment on 308 or 310g/m² 100% cotton paper
    15 x 15 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Presence
    Presence, 2020
    mineral pigment on 308 or 310g/m² 100% cotton paper
    15 x 15 cm | 10 + 2 A.P.
    Curitiba, Brazil
  • Cemitery
    Cemitery, 2020
    mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 10.6 cm, limited edition of 6 + 1 A.P.
    Rio de Janeiro
  • Debris of an Intimacy (Triptych)
    Debris of an Intimacy (Triptych), 2020
    mineral pigment on 308 or 310g/m² 100% cotton paper
    10 x 30 cm ( 10 x 10 each) | 10 + 2 A.P.
    Rio de Janeiro