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Open a larger version of the following image in a popup: Analize Nicolini, My Story, Let Me Tell It — Act I, 2024
Open a larger version of the following image in a popup: Analize Nicolini, My Story, Let Me Tell It — Act I, 2024
Open a larger version of the following image in a popup: Analize Nicolini, My Story, Let Me Tell It — Act I, 2024
Open a larger version of the following image in a popup: Analize Nicolini, My Story, Let Me Tell It — Act I, 2024

My Story, Let Me Tell It — Act I, 2024

Adhesive vinyl on mirror.

Variable dimensions according to the exhibition space.
Small, 29X21
Analize Nicolini, My Story, Let Me Tell It — Act I, 2024
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMy%20Story%2C%20Let%20Me%20Tell%20It%20%E2%80%94%20Act%20I%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAdhesive%20vinyl%20on%20mirror.%3Cbr/%3E%0A%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EVariable%20dimensions%20according%20to%20the%20exhibition%20space.%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Analize Nicolini, Anular III, 2023
  • (View a larger image of thumbnail 2 ) Analize Nicolini, Anular III, 2023
  • (View a larger image of thumbnail 3 ) Analize Nicolini, Anular III, 2023
  • (View a larger image of thumbnail 4 ) Analize Nicolini, Anular III, 2023
First act of My Story, Let Me Tell It, in which the phrase is applied onto a mirror, linking reflection, language, spectatorship and narrative sovereignty.
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My Story, Let Me Tell It — Act I presents the phrase “My Story, Let Me Tell It” applied in adhesive vinyl onto a mirror. The surface reflects whoever stands before it, while the statement intervenes in that image.

 

The work affirms authorship over one’s own narrative in contexts where stories are often interpreted, corrected or appropriated by others. The phrase shifts the act of narration away from the external gaze and returns it to the subject who lives the experience.

 

The mirror ceases to function only as a reflective surface. It reveals that identity is produced in the encounter between image, language and social gaze. Between what is seen and what is said about what is seen, a field of dispute opens.

 

By seeing themselves reflected alongside the statement, viewers are implicated in this operation. The work does not offer identity as representation; it asserts the right to narrate oneself and to occupy public space in one’s own voice.

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Exhibitions

Insisting on Existing: Protocols of a Public Studio, solo exhibition, critical text by Kamilla Nunes, SOMA – People & Culture, Curitiba, Brazil, 2026.

 

AQUI ONDE ESTOU — resto, risco, ruína e rastro (HERE WHERE I AM — remainder, risk, ruin, and trace), group exhibition, curated by Analize Nicolini, production BraSA.Art, SOMA – People & Culture, Curitiba, Brazil, 2025.

 

Deixar de Nos Mentir (Stop Lying to Ourselves), group exhibition, Grupo Impossibilidade de Esgotamento, curated by Kamilla Nunes, Florianópolis, Brazil, 2025.

 

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