Analize Nicolini
Skip to main content
  • Menu
  • Artworks
  • Curating
  • Services
  • Available works
  • Patronage
  • About
  • CONTACT
  • EN
  • PT
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • EN
  • PT

Insisting on Existing: Protocols of a Public Studio: Solo exhibition by Analize Nicolini / Critical text by Kamilla Nunes / SOMA – People & Culture

Past exhibition
15 February - 10 May 2026
  • Works
  • Overview
  • Installation Views
  • My Story, Let Me Tell It — Act I, 2024 Adhesive vinyl on mirror. Variable dimensions according to the exhibition space.
    My Story, Let Me Tell It — Act I, 2024
    Adhesive vinyl on mirror.

    Variable dimensions according to the exhibition space.
  • My Story, Let Me Tell It — Act II, 2026 Suspended installation with 53 serial PS plates, mirrored adhesive vinyl applied front and back, black adhesive text, and nylon thread. Variable dimensions according to the exhibition space. Each plate: 21 × 28 cm. Installation composed of 53 suspended elements, with plate centres distributed from 48 to 256 cm from the floor, in 4 cm intervals.
    My Story, Let Me Tell It — Act II, 2026
    Suspended installation with 53 serial PS plates, mirrored adhesive vinyl applied front and back, black adhesive text, and nylon thread.
    Variable dimensions according to the exhibition space. Each plate: 21 × 28 cm. Installation composed of 53 suspended elements, with plate centres distributed from 48 to 256 cm from the floor, in 4 cm intervals.
  • Installation view of My Story, Let Me Tell It — Act III by Analize Nicolini, a video-performance and filmed public reading project with vertical display, mirrored surface and audio, presented as part of Insisting on Existing: Protocols of a Public Studio
    My Story, Let Me Tell It — Act III, 2026–
    Video-performance, filmed public reading of the 37 Yogyakarta Principles, vertical monitor with mirrored surface, audio.
    Variable dimensions according to the exhibition space. Duration to be defined.
  • My Story, Let Me Tell It — Act IV, 2026 Sculptural body cast covered with wheat-pasted layers of overlaid images: money, phenotypic and genetic classification, alphabet, numbers, and visual references to braille. Variable dimensions.
    My Story, Let Me Tell It — Act IV, 2026
    Sculptural body cast covered with wheat-pasted layers of overlaid images: money, phenotypic and genetic classification, alphabet, numbers, and visual references to braille.
    Variable dimensions.
  • Little Big Traumas, 2025 Participatory installation comprising three wooden stretcher frames with canvas, colored plastic strip curtain, and double-sided white canvas for audience intervention. 3 modules, each measuring 180 × 60 cm.
    Little Big Traumas, 2025
    Participatory installation comprising three wooden stretcher frames with canvas, colored plastic strip curtain, and double-sided white canvas for audience intervention.
    3 modules, each measuring 180 × 60 cm.
  • Analize Nicolini, Insisting on Existing (Insistir em Existir), 2026, installation with a modular cement column, embedded gloves, a punching bag and a suspended tatami mat.
    Insisting on Existing (Insistir em Existir), 2026
    Installation with a modular cement column, smaller cement artifacts with embedded gloves, a punching bag and a suspended tatami mat.
    Variable dimensions. Modular column: cement modules, 40 × 40 × 37 cm each. Smaller artifacts: cement and embedded gloves, 25 × 25 × 20 cm each.
  • In the Wounds I Reach, 2022 Public performance, clothing in biodegradable polyamide, variable duration. First realized in public space at Praça Marechal Alberto Ferreira de Abreu, Curitiba, Brazil, July 27, 2022. Multimedia installation derived from the performance, limited edition of 5 + 1 A.P.: 10 photographs (photo-performance) printed in mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², each 11.5 × 19.5 cm; 1 single-channel video, color, 3’57’’. Curitiba, Brazil, 2022.
    In the Wounds I Reach, 2022

    Public performance, clothing in biodegradable polyamide, variable duration.
    First realized in public space at Praça Marechal Alberto Ferreira de Abreu, Curitiba, Brazil, July 27, 2022.

    Multimedia installation derived from the performance, limited edition of 5 + 1 A.P.:
    10 photographs (photo-performance) printed in mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², each 11.5 × 19.5 cm;
    1 single-channel video, color, 3’57’’.
    Curitiba, Brazil, 2022.
  • If You Need Art To Act, 2024 Live performance, acrylic paint on trash cans, variable duration, 2024. 1st edition at Largo do Carmo, Lisbon, Portugal. Multimedia installation composed of photo-performance and video, limited edition of 5 + 1 A.P.: 9 photographs printed in mineral pigment on 100% cotton paper, 308g/m² or 310g/m², 10.5 x 16 cm each, and 1 single-channel video, color, 36 s, 2024. Largo do Carmo, Lisbon, Portugal.
    If You Need Art To Act, 2024

    Live performance, acrylic paint on trash cans, variable duration, 2024. 1st edition at Largo do Carmo, Lisbon, Portugal.

    Multimedia installation composed of photo-performance and video, limited edition of 5 + 1 A.P.: 9 photographs printed in mineral pigment on 100% cotton paper, 308g/m² or 310g/m², 10.5 x 16 cm each, and 1 single-channel video, color, 36 s, 2024. Largo do Carmo, Lisbon, Portugal.
  • Here We Can Only Be Happy, 2021 alkaline glass tube, 100% neon gas 80 x 80 x 10 cm | 12 + 2 A.P. Venice, Italy
    Here We Can Only Be Happy, 2021
    alkaline glass tube, 100% neon gas
    80 x 80 x 10 cm | 12 + 2 A.P.
    Venice, Italy
  • Here We Will All Lick Ourselves, 2022 alkaline glass tube, 100% neon gas 80 x 80 x 10 cm | 12 + 2 A.P. Curitiba, Brazil
    Here We Will All Lick Ourselves, 2022
    alkaline glass tube, 100% neon gas
    80 x 80 x 10 cm | 12 + 2 A.P.
    Curitiba, Brazil
  • Rhizome (or Genesis), 2016 Acrylic on canvas 80 x 80 cm Rio de Janeiro Artist's collection
    Rhizome (or Genesis), 2016
    Acrylic on canvas
    80 x 80 cm
    Rio de Janeiro
    Artist's collection
  • Company I, 2024 mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 4 + 1 A.P. Curitiba, Brazil
    Company I, 2024
    mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 4 + 1 A.P.
    Curitiba, Brazil
  • Company II, 2024 mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 4 + 1 A.P. Curitiba, Brazil
    Company II, 2024
    mineral pigment on 100% cotton paper, 308 g/m² or 310 g/m², 19 x 14.25 cm, limited edition of 4 + 1 A.P.
    Curitiba, Brazil
Back to exhibitions
Manage cookies
Copyright © 2026 Analize Nicolini
Site by Artlogic
Instagram, opens in a new tab.
Join the mailing list
Send an email

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences